Some fantasy covers promise scale. This one promises atmosphere, fragility, and maybe a little heartbreak. The City in Glass looks like the sort of novel that understands beauty is more interesting when it is close to collapse.
That is a strong lane for me. I am far more likely to stick with fantasy when the world feels specific and strange rather than merely large. A memorable setting beats generic grandeur every time.
Nghi Vo is also one of those names that suggests precision. Even when the concept sounds airy, the execution usually has shape to it. That combination, delicacy with intent, is harder to pull off than people think.
If this book is as elegant and uncanny as it appears, it is exactly the kind of fantasy I want showing up in a place called Book Vortex.
Get your copy: The City in Glass on Amazon